Thursday, December 30, 2010

personal finance programs









Mesoloan



Now, as for today's entrepreneurs, first up today was Hardika Shah presenting Mesoloan, a small enterprise loan program for Indian entrepreneurs in the $2,000-$20,000 loan size bracket. This is a segment that is well beyond traditional micro-finance, but also somewhat below the scope of the regular financial institutions. Hardika intends to build a financial institution focused on this segment with financing from social entrepreneurship oriented venture funds like Unitus.



It turns out that in my Vision India 2020 book, I have a similar project called FDBI. My personal analysis is that to make a financial institution successful by catering to the said segment will require a tight control of the types of businesses that are financed. This is why I have focused on micro-franchise oriented businesses where a tightly controlled structure is replicated across a large number of small businesses. My recommendation to Hardika is to study the FDBI project



DaisyClip



Next Annette McClellan presented DaisyClip, a non-surgical contraception device for women that she is in the process of syndicating a $1.8 million financing round for. Her market penetration plan is to start with India, and she wanted to know what kinds of options/connections we could provide. Well, there are some government and NGO contacts that I have in mind for her to explore. However, she will, of course, need to clear the clinical trials and get the proper regulatory approvals.



Voices.com



Our next presenter was David Ciccarelli discussing Voices.com, an interesting niche marketplace for freelance voice talent used by businesses and entertainment companies. David has 25,000 freelancers of which about 20% are paying subscribers (a very good number). He also has 120,000 companies using the talent from his marketplace.



David asked how to convert more of his users to paying users. I pointed him to the oDesk case study in which I have discussed the strategy for a marketplace in great detail. David is also struggling with the notion of his community taking the transactions offline.



Well, eLance has experienced similar problems, and I asked David to concentrate on communicating to his user base of service providers the value of building a reputation through references and reviews/customer feedback. Taking the transaction offline would mean the service provider would not get any feedback from the transaction. Nor will she or he get any assistance with dispute resolution, for example. Overall, I felt that making the reputation-building features available only to the premium members would be a good way to convert more free users to paying customers.



Marketing Green Products and Services to Indian Consumers



Then Tarini Kinkar discussed a media concept for marketing green products and services to Indian consumers. The business idea was not very well fleshed out, and needs a lot of work still. One of my key concerns is that the level of awareness about green and environmentally conscious issues is very, very low in India. Also, the business model for the business is unclear.



Klonos

On Monday, I linked to this op-ed from Tom Esvlin, Vermont's "stimulus czar," lamenting the way the money got spent. "Although I'd like to think Vermont did better than many states, much of the money ended up continuing bloated programs rather than providing a transition to a sustainable future," he wrote. That same day, Brookings' Gary Burtless e-mailed in a rebuttal that's worth quoting at length, as it's a very clear description of where the stimulus funds actually went, and why such a small percentage was directly devoted to building things. So here it is, with some edits for space:



The main problem with that silly op-ed is that it refers to only a small slice of the actual federal spending on stimulus authorized by the Feb. 2009 legislation. So far, the overwhelming share of that stimulus has been devoted to three items: Tax cuts for households; direct benefits to people adversely affected by the severe recession, mostly the unemployed or poor; and fiscal relief to state and local governments. Vermont did not need any "Czar" to receive or administer funds under these programs. The money for them quickly left the U.S. Treasury without any effort on the part of the Czar who penned this highly misleading op-ed piece. People in Vermont *directly* received benefits from the stimulus as: (1) lower federal tax withholding from their paychecks; (2) extended unemployment benefits; (3) premium subsidies so they could maintain their health insurance after they were laid off from a job in which they received health protection; (4) miscellaneous benefits (e.g., for college costs) under one provision or another; and (5) aid from the Treasury that permitted Vermont and its localities to finance their Medicaid and K-12 education programs without hiking taxes or lowering other public spending. The kinds of infrastructure spending for which the WSJ's "Czar" had some responsibility constituted a small percentage of the stimulus the Congress authorized for 2009 and 2010.



In FY 2009 and 2010, the EXPECTED spending on infrastructure and other items for which the Vermont “Czar” may have had partial responsibility accounted for just 11% of anticipated spending under the stimulus legislation. The other 89% had nothing to do with the programs criticized by Vermont’s supposed Czar. Thus, all of his complaints – even if justified – are essentially irrelevant to the programs mainly supported by the stimulus law … at least so far. Obviously, in the years 2011-2019, that kind of stimulus spending would have accounted for a vastly larger share of outlays. But (and perhaps Vermont’s Czar has not kept up with this because he does not read a daily paper) the Congress just passed and the President just signed ANOTHER stimulus program consisting of more than 90% personal and business tax cuts and less than 10% extensions in unemployment benefits. So far as I know, very little additional spending has been authorized for those hated infrastructure / technology investment projects. Below is the CBO’s year-by-year analysis of the spending authorized under the Feb. 2009 stimulus law:





My own private view is that the country would probably have been better off if *MORE* of the original stimulus had been devoted to infrastructure / technology investment (more of it would have been spent on goods and services produced in the U.S. rather than China, East Asia, and Europe). Setting aside that consideration for a minute, what infuriates me about the piece cited in your blog is that it reinforces the very widespread but totally erroneous impression that Congress and the Administration were unaware of the administrative hurdles to fast spending that the “Czar” points out in his op-ed. Those hurdles were understood from the very beginning, which is precisely the reason that infrastructure/technology investment projects constituted such a small percentage of the total package. It is perfectly legitimate to criticize the pace of spending on these projects, but it is utterly deranged to think that the slow rate of spending on the projects constitutes a serious indictment of the spending authorized under the Feb. 2009 stimulus program. Very little of the expected spending under the stimulus program (at least so far) was supposed to be devoted to those projects.



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<b>News</b> - Queen Elizabeth Welcomes First Great-Grandchild! - Moms <b>...</b>

Peter Phillips' wife Autumn gave birth to a baby girl Wednesday.

Larry Kramer: This Is Why Fox <b>News</b> Continues To Roll

People are getting lazy about forming their own opinions.

Police: Fox <b>News</b> Flubbed &#39;Granny Terrorist&#39; Story | TPMMuckraker

Law enforcement officials says Fox News' report of a probe into a Indiana grandmother for alleged terrorist ties was taken out of context and that the reporter based her report of an investigation off her own tip.


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Tuesday, December 28, 2010

Making Money Ebay

In 1995 I remember waiting in lines to buy Windows 95. It effectively ended the design lead Apple had for 11 years in personal computers.


From then on Microsoft had both the thought leadership and the market share. Apple ended up with less than 10% market share. Microsoft had most of the rest.


Lots of people think that Apple could repeat 1995 in 2011. This time with iOS instead of Macintosh OS and with Google in the place of Microsoft.


We forget one little thing: 1995 was different.


Here’s how.


In 1995 Microsoft had a HUGE marketshare lead with DOS. That meant it had a huge army of developers who didn’t want to switch over to Apple’s system, which they saw as very closed and inflexible. I remember developers coming into the consumer electronics store I helped run in the 1980s and they’d complain bitterly about Apple’s policies (Apple was far less flexible back then than it is today and forced developers to fit into a “look and feel” set of guidelines).


But I look at who is making money. Back in 1995 developers were mostly making money from DOS. Remember, this caused WordPerfect and Borland to make bad bets. They bet on DOS for too long, while Bill Gates went and built some of the first and best Macintosh apps. The lesson, though, doesn’t pass from 1995 to 2011. Today where are most of the developers making their money? iOS (according to Sephora, Starbucks, OpenTable, eBay, and many other developers). So, Android has to convince developers to switch, or do both platforms at same time. That’s quite different.


Plus, back in 1995, who owned the best distribution and supply chains? Microsoft did. Today? Apple does. Apple didn’t have stores back in 1995 which will ensure its products get seen in the marketplace. Back then Microsoft could outspend Apple for shelf space at Frys and other retailers. Plus, Microsoft’s model of having many OEMs building hardware for its OS was far superior to Apple’s approach. Today that’s not really true, because the OEMs aren’t really able to bring that much value to the table and Apple has the best supply chains in China locked up (I visited one of them about two years ago and keep in touch with the folks there and that’s still the case). So, it’s not very likely that a Google phone will ship with better screens or better materials. At least not in volume. That is a huge difference from 1995 to today.


Other differences? Apple has outspent Microsoft on Advertising around the world. Look at this picture. It’s in Paris subway. Apple bought every square inch of advertising space (it bought the entire subway system’s advertising space, it seemed, iPad ads were plastered down the entire trackway). Google isn’t able to get its message there. That didn’t happen in 1995. Remember how dominant Microsoft’s advertising was back then? Microsoft even convinced the Empire State Building to change its colors that evening.


Let’s go back to how closed Apple is. Most apps this month got approved in less than a week. Some even got approved in less than four days. During the Christmas rush. Is this as good as Android’s (you can ship in minutes) policy? No. But, on the other hand, there are quality controls which consumers appreciate. The apps — overall — ARE better on iOS than on Android. Just check out TweetDeck. It crashes every few minutes on my Android phone. Twitter isn’t nearly as nice. Facebook isn’t as nice. And most apps aren’t as well designed, nor crash resistant, as on iOS.


I am sensing a switch, though. Fred Wilson is leading the charge. But other developers are grumbling about Apple and want there to be an alternative and they are all comparing notes with each other. “How’s Angry Birds doing with its advertising-only Android apps?” they ask. Very well, the answer comes back. So that means more developers will take the bet on Android, but so far I haven’t seen many go “Android only.” Why not? Because they know most of the PR comes from journalists who use mostly iOS devices and most of the best users are on iOS devices too (Sephora’s lead mobile developer told me 80% of the users who pull out a mobile phone in her stores are using iOS, that is echoed by nearly every developer I talk with). Even Swype, which has been kept from delivering their keyboard on iOS devices showed me a prototype of it running on an iPad and the inventor whispered “if Steve Jobs wants to talk, we’d love to ship this on iOS.”


So, when someone says that Apple is repeating the mistakes of 1995 (yes, I’ve been guilty of saying that in the past couple of years too) you should tell them that 2011 is not even close to the same set of conditions as 1995 has.

All this morning, I kept seeing a video of ALF pop up on my Tumblr and Twitter news feeds. Of course, I didn’t click on them because…y’know, ALF…but I totally should have. The video is outtakes from the series ALF in which you can hear the character’s creator and puppeteer, Paul Fusco, entertaining the folks on set by saying some truly offensive things. Serves me right for assuming it was mere needless nostalgia.


The tape was discovered by YouTube user biohazardgraphics who claims he bought it off eBay 10 years ago. He or she posted it on YouTube a year ago where it went without much impact until earlier today when Badtvblog discovered it and brought it to the world’s attention. Hooray! Now we can all enjoy ALF saying the N-word and making filthy come ons to the Tanner’s teenaged daughter!


It’s pretty amazing. But, for my money, the best foul-mouthed outtakes from a dearly missed TV series remains the “dirty takes” from Better Off Ted’s insult episode. Oh. And this, of course.



(h/t Gawker.tv)

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Thursday, December 23, 2010

personal finance blog




Consumerist Budget Spreadsheet Balances Your Money, Encourages Your Nest Egg





The saving-savvy folks at The Consumerist blog have put together a template Excel spreadsheet for managing personal finances. It's the kind of thing you always say you're going to do, but they went ahead and did it for you, and it's free.

It's not a new thing, but Consumerist's budget spreadsheet, crafted during the days the site was one of our blog network brethren, has come back, after being lost to the vagaries of server maintenance. The site has instructions on setting it up, including tips on thinking through your monthly expenses and advice on how much you should plan on socking away for a rainy day, retirement, and other expenses.


Maybe you use Mint or another automated spending/saving tracker instead—but then again, maybe those tools are so automatic that you don't get a good look at your real money situation.


I’m a stock-market genius!


On December 1st, I wrote about an idiotic USA Today article, which tried to convince readers that investing on the first day of the month was a sound strategy. “Stock investors looking for a trading pattern that all but guarantees a profit need look no further than the first trading day of a new month,” the author wrote. He pointed out that in ten out of twelve months this year, the market has risen on the first day of the month.


I crunched my own numbers to find that on the eighth trading day of the month, the market had gone up nine out of eleven times. Sure enough, last Friday the market went up on the eighth trading day of December, too. Maybe I can pitch this news to USA Today so they’ll publish it in their Money section.


Okay, okay. Enough snottiness. It’s time to look at some of this week’s best financial stories from around the web:


First up, I know it’s getting a little late for this, but Yahoo Finance has a list of seven items worth waiting for — especially if you’re going to “gift” yourself. These are things like electronics, winter clothes, calendars, and so on — things that go on sale in the weeks after Christmas.


Even as I’m writing a column for Entrepreneur that gives tips on using credit cards wisely, Kiplinger is making the case for cutting out credit cards completely. Robert Long writes that he has no credit cards, and he’s happy that way. If you’ve thought about leaving credit behind, read about Long’s experience. I lived without a personal credit card for nearly a decade, so I know it can be done. But I know that it’s possible to live safely with credit cards, too.


Over at Gen-Y Wealth, RJ has a nice list of 20 financial milestones you want to reach in your 20s. I like this list, and I’d actually love to see similar lists for different age ranges. People could use it as a sort of road map to where they ought to be. I wonder if anyone has ever tried to compile such a beast. (Maybe I could try to create something like this…)


You all know how important I think it is to increase your income. Well, the Mighty Bargain Hunter has a short write-up listing five ways to make your hobbies pay. “If you’re looking to supplement your existing income, start with something you do well,” he advises. Then share it with others.


Finally, The Motley Fool has a list of ten really simple financial lessons to live by. These are all drawn from Nassim Nicholas Taleb’s new book, The Bed of Procrustes. They’re simple aphorisms to live your life by, like: “The sucker’s trap is when you focus on what you know and what others don’t know, rather than the reverse.” Sort of like investing on the first (or eighth) trading day of the month because it always goes up!







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Read our Xbox 360 news of Rihanna joins the Dance Central.

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Read our Xbox 360 news of Rihanna joins the Dance Central.

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Rihanna joins the Dance Central Xbox 360 <b>News</b> - Page 1 | Eurogamer.net

Read our Xbox 360 news of Rihanna joins the Dance Central.

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If a video posted to Vimeo is to be believed, there are some insiders at ABC News who don't really care very much for newly-named boss Ben Sherwood, described in the video as the Draco Malfoy of Broadcast News. The video--essentially a ...

Digital <b>News</b> Platforms Still Present Opportunity For Marketers <b>...</b>

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Rihanna joins the Dance Central Xbox 360 <b>News</b> - Page 1 | Eurogamer.net

Read our Xbox 360 news of Rihanna joins the Dance Central.

Ben Sherwood - ABC <b>News</b> | Attack Video | Mediaite

If a video posted to Vimeo is to be believed, there are some insiders at ABC News who don't really care very much for newly-named boss Ben Sherwood, described in the video as the Draco Malfoy of Broadcast News. The video--essentially a ...

Digital <b>News</b> Platforms Still Present Opportunity For Marketers <b>...</b>

News sites are a good place to advertise since 92% of consumers use multiple platforms to get news.


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Rihanna joins the Dance Central Xbox 360 <b>News</b> - Page 1 | Eurogamer.net

Read our Xbox 360 news of Rihanna joins the Dance Central.

Ben Sherwood - ABC <b>News</b> | Attack Video | Mediaite

If a video posted to Vimeo is to be believed, there are some insiders at ABC News who don't really care very much for newly-named boss Ben Sherwood, described in the video as the Draco Malfoy of Broadcast News. The video--essentially a ...

Digital <b>News</b> Platforms Still Present Opportunity For Marketers <b>...</b>

News sites are a good place to advertise since 92% of consumers use multiple platforms to get news.


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Rihanna joins the Dance Central Xbox 360 <b>News</b> - Page 1 | Eurogamer.net

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Rihanna joins the Dance Central Xbox 360 <b>News</b> - Page 1 | Eurogamer.net

Read our Xbox 360 news of Rihanna joins the Dance Central.

Ben Sherwood - ABC <b>News</b> | Attack Video | Mediaite

If a video posted to Vimeo is to be believed, there are some insiders at ABC News who don't really care very much for newly-named boss Ben Sherwood, described in the video as the Draco Malfoy of Broadcast News. The video--essentially a ...

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Wednesday, December 8, 2010

Making Money Ideas

Wednesday Worries – Ireland “Fixed” – Who’s Next?


Courtesy of Phil at Phil's Stock World 


So many things are pissing me off today.  


I got my political outrage out of the way in my earlier post: "Thanks for the Gas Money, Mr. President," so we don't need to talk about that again. Ireland, as of 7:45, has not actually voted to accept the EU's deal, which will pull $20,000 per Irish family directly from national pension funds to pay for the speculative mistakes of Irish Banks.  Additionally, the Irish people are being asked to borrow another $75,000 per family from the EU at about 6% interest, also to pay for the speculative mistakes made by the Irish Banks.  While this may seem insane - it's only a drop in the bucket compared to what Americans are spending to bail out our own speculators so why shouldn't they join the club?  


At least Ireland gets to vote for their obligations, we have a Federal Reserve System where a single man, known as "The Bernank" is able to spend what is now heading towards $3.5Tn of OUR MONEY to bail out his banking buddies.  That's $31,818 per American family spent over two years IN ADDITION to the stuff I complained about Obama and our spineless Government spending in the last post.  


As I said, things are pissing me off today!  I should be in a better mood - we had a fabulous day trading in Member Chat yesterday.  In yesterday's post, I closed with "One last stab at making some bearish profits for us (see Morning Alert)" and you can click on that Alert, which was posted on Seeking Alpha and check out our trade ideas for the $10,000 to $50,000 Portfolio which included (at 7:22 am yesterday) QID Jan $10 calls, which opened at $1.80 and finished at $2 (up 11%), DIA Dec $114 puts, which opened at .80 and finished at $1.33 (up 66%), XRT Jan $44 puts, which opened at .35 and finished at .55 (up 57%), USO Jan $36 puts, which opened at .66 and finished at .90 (up 36%), PCLN weekly $400 puts, which opened at $.50 and finished at $1.40 (up 180%) and NFLX Jan $155 puts, which opened at $1.70 and finished at $2.30 (up 35%) but should look much better this morning, where we will exit.  


Of course I featured the idea to short NFLX last Thursday in the Morning Post (which you would get at 8:30 every morning in progress if you subscribed!) and we talked about shorting oil in the Weekend Post and I mentioned XRT last week as well so it's not like these are even our "super-secret" trade ideas - this is just the stuff that looked obvious enough to risk our small portfolio plays on (as you don't want to take too much risk in a small portfolio, even when it is aggressive like our virtual $10,000 Portfolio).  Once we got into Member Chat for the morning we went with more aggressive trade ideas like PCLN weekly $410 puts at $1.60, which finished the day at $4.20 (up 162%) and 6 other plays that we're not done with yet plus shorts on the oil futures at $90 that worked out very well.   


So why am I angry?  You can't really have a better day than we had yesterday.  Yesterday is the reason we have sat patiently (well kind of patiently) in cash for a month as we finally got an opportunity to commit to a whole bunch of very obvious trades, the most trade ideas I've had in a single day since early September, when we jumped on Uncle Ben's bullish bandwagon.   Sure we find things to trade every day but these are the opportunities we wait for.  I guess I'm pissed because we had to pull our December short plays off the table because the cartoon bears have warned us that they will be "Buying the F'ing Dips" and we know better than to argue with cartoon bears because it's simplistic little BS premises like that that rule this market.  Ah, that's why I'm angry!  


As I keep saying, I don't enjoy day trading - it's not satisfying but it's what we do while we wait for real investment opportunities to come along.  While it may be exciting to make 100% on a trade in a single day - it's small money and a tedious (and stressful) way to build up a portfolio.  I suppose at heart, I'm a long-term investing coupon-clipper but those kind of investors are being chewed up and spit out in this market and, while we found many, many things to buy earlier in the year, now we're down to one or two long-term opportunities a day while most of the rest of the market looks better as a short.


But you can't even stay short past the closing bell.  Even as I write this post our paranoia in taking the money and running (our usual strategy) on our quick gains is looking justified as the dollar is, as usual, being shoved off it's overnight highs (used to prop up the Nikkei in our famous "3am Trade") during the slower EU lunch break in order to now goose the US futures to give US markets the best possible open on the least possible amount of volume (ergo cost to the Gang of 12).  Despite debasement efforts by Obama and The Bernank yesterday, the dollar still rose back to 80.81 in overnight trading and that sent the Dow futures all the way down to 11,285 but don't despair - they've already been goosed back to 11,350 - just 5 points shy of yesterday's weak close.  


See, in a "normal" market we would have simply stayed short because clearly the momentum was down and the fundamentals indicate that all the efforts of Obama, The Bernank, the BOJ, the BOC, the ECB... are "too little, too late" to put the Humpty Dumpty global economy back together again.  Some of the fundamentals we're watching:  



  • German exports declined in October

  • Machinery orders fell in Japan for October.

  • Speculators are holding the largest commodity positions on record, up 13% from 2008 highs. 

  • Oil is in a GLUT, with demand off a cliff.   

  • Mortgage Applications are falling again

  • 15 US States face a $26.7Bn mid-year budget gap

  • The EU is passing tough banking regulations

  • Our Government is expanding the insider trading investigation

  • China is likely to hike interest rates.

  • Mortgage Bond yields have leaped to 6-month highs.

  • Italy's budget plan is forcing a "no-confidence" vote for Berlusconi

  • US Retailers are cutting earnings forecasts and sitting on big inventories.


These are just TODAY'S headlines and they all add up to RISK.  Lack of risk recognition by the markets was the primary reason I called for cash in early November.  We are approaching 2008 pre-crash market highs with many stock trading higher than they were then on LESS revenues than they had at the time.  Meanwhile, 10% of our population is unemployed, consumer credit is down by over $1,000,000,000 (15%), household wealth is down 20% and income is down while the CPI, even by BS Government measures, is up 5% since then, effectively giving those people who still have jobs 5% less to spend anyway.  


And when you consider that discretionary income is just 20% of income - if the 80% they HAVE to spend went up 5%, then that's 4% of discretionary income gone, which is 20% of discretionary income out the window - FOR THE PEOPLE WHO ARE STILL WORKING.  The other 10% have ZERO to spend and that's not good either.  All of this is being ignored as "investors" buy stocks on the hopes that they will expand sales internationally and keep cutting costs despite the same inflation the speculators are using to justify their very high valuations.  We're effectively writing off the US economy and placing all of our bullish eggs in the global basket - even though they have 20% unemployment "over there." - that's kind of nuts, don't you think?



I'm not even going to ask if the above 

chart (from Calculated Risk) disturbs you

. Clearly, from the results of the last election, it does not.  We are over 6M jobs away from recovery and we added less than 40,000 last month.  At least in Ireland, their population is shrinking, with 65,500 people (1.5%) abandoning the sinking ship as of April of this year.  That's less likely to happen in America as Mexico is not that attractive and Canada doesn't want us and most people can't afford to move anyway as they are upside down on their mortgages so we, as a people, sit and wait.  We sit and wait for something good to happen.  Any minute now...  Something good is bound to happen... NOW!   OK, maybe not now but really soon - something good has got to happen, right?  

 

That pretty much sums up our national policy - we don't actually do anything to create jobs but if we sprinkle enough magical fairy money on the rich, we're sure they'll start hiring people real soon!  Maybe as soon as they are done merging and acquiring smaller companies with all that money where they then create efficiencies by laying off 50,000 people a month (Challenger Job Cut Report) while more and more jobs are outsourced every day ($6Tn worth of jobs are currently outsourced).  And why not?  There are huge tax advantages to outsourcing US jobs - tax advantages that our President is perpetuating as he bends over and accepts the massive Republican tax cuts for the wealthy on behalf of the American people. 

 


Did I mention I was pissed?  Good, then moving along...  


So we kept our Jan shorts and didn't add any longs because we expect a bounce on the usual opening nonsense but I don't see enough dry powder left for the bulls to take us over that critical Dow 11,500 mark.  Meanwhile, CAT is way too high and they are a Dow component, as are XOM, CVX, IBM and MCD - all stocks that are major components in the price-weighted Dow and are more likely to pull back than move higher.  


EU money printing will not inflate our stocks - it may even boost the Buck and that would be bad for commodities, who had a pretty rough day yesterday (and we shorted a few).  I wish it were easier and I wish we could just say "CAT is overbought so we're going short" but the fundamentals of the stock are trumped by rumors of infinite Chinese demand and inflation expectations that somehow ignore the negative impact of rising steel prices and increasing borrowing costs on the company.  Of course the weak-dollar expectations have everyone moving into stocks, which are just another form of commodity to trade and, even as I write this, the dollar is being jammed back below 80.50 to goose the US open.  


At least we know how this game is rigged and we can have lots of fun betting the suckers never do find that red queen but what a shame that this is what the global economy has been reduced to - a shell game - and it's an empty shell at that! 


Once again, Harry Reid, Nancy Pelosi, and the Obama administration are attempting to negate the United States Constitution and the will of the American people in a cynical attempt to satisfy yet another of their multiple special interest groups.  If they can get their lame (soon-to-be-dead) ducks in a row, they would saddle the country with the so-called DREAM (Development, Relief and Education of Alien Minors) Act before the Congressional term ends and sanity can be restored.  Simply stated, the DREAM Act, which was introduced first in 2001, provides a path to citizenship for the children of illegal immigrants.  This would be done either by qualifying for and completing a term of military service, or acquiring a degree or completing at least two years toward a bachelor's degree within a six-year period.  Like most liberal ideas, the DREAM Act is not what it appears to be and leaves open numerous avenues for waste, fraud, and government expansion at the expense of the American taxpayer.


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

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Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

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In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

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In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


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John Lennon Remembered: 10/9/40 – 12/8/80 | Rolling Stone Music

Thirty years ago today — on December 8, 1980 — John Lennon was murdered outside of his New York apartment building by a deranged fan. Three days befor...

In Further Late Night Smooching <b>News</b>: Brian Austin Green Kisses <b>...</b>

Late night talk show guests seem to be getting a little overly lusty these days. Already tonight, we've seen Dame Helen Mirren kissing Jay Leno.

Fox <b>News</b> Reporter Warns: The Terrorists Are Watching Us Debate Taxes

Fox News White House correspondent James Rosen detailed the terrorism implications of a tax-cut debate last night, insisting that President Obama's jumbled "negotiate with hostage-takers" metaphor during yesterday's press conference ...


Tuesday, December 7, 2010

Making Easy Money


Embracing New Opportunities Is Being Defeatist?

from the please-explain dept

A few months back a columnist for the Guardian, Helienne Lindvall wrote a laughably confused argument claiming that people who explained how "free" was an important element of a business model should not be trusted because they also made money. That made no sense, and lots of people explained why. She also got an awful lot of the basic facts wrong.



Lindvall is back, and rather than admitting her mistakes, she tries again, but comes across as even more confused and factually-challenged. The majority of the piece is about setting up more strawmen to knock over, with the two key ones being (1) that supporters of embracing new business models are "defeatist" because they suggest that file sharing cannot be stopped and (2) that while record labels may have ripped off musicians in the past, the companies ripping off musicians today are the "web 2.0" companies that are making money on content -- such as Google, Flickr and others.



Neither argument makes much sense when held up to any scrutiny. Lindvall seems to make the same mistake she made in her first piece (for which, I do not believe she has yet apologized). She takes a tiny part of an argument that someone has made, and pretends it's the entire argument. Just like she claimed that those who embrace free as a part of their business model are somehow being hypocritical in making money elsewhere, she now claims that people's entire argument is based on a tiny sliver of their argument, and ignores the important part.



The problem with her first strawman is that people aren't saying be "defeatist," and just accept that file sharing is file sharing and give up. They're saying that if file sharing isn't going away, and (here's the part she misses) you can use that to your advantage to make more money, why bother worrying about file sharing as being some sort of evil? The second strawman is a bit more nefarious, but goes back to the fallacy that web 2.0 sites are some sort of digital sharecropping, with the users "giving up everything," and the content creators getting nothing. That, of course, is hogwash. The reason people use these services is that they get something in return. What people like Lindvall forget or ignore is that in the days before YouTube, if you wanted to post your own video, you had to (a) buy expensive media serving software from the likes of Real Networks (b) install the crappy software and maintain it (c) host the files yourself, costing you server space (d) stream or download the files yourself, costing bandwidth. Then YouTube came along and made all of that both easy and free -- and you still want to complain that they're ripping you off? Seriously?



Fine: let's make a deal. For any project that Helienne Lindvall is involved in, she cannot make use of these tools which offer free services. Instead, she must set up the technology on her own server, and host and pay for all of it herself. Otherwise, she's just supporting the digital sharecroppers, right?



There are a few other whoppers in the article as well, such as this one:


Doctorow pointed out that numerous authors give away their work, while earning good money on the lecture circuit. I don't doubt that this model works for some authors, but there are fundamental differences between books and music.



Producing a record -- as opposed to writing most books -- tends to be a team effort involving a producer (sometimes several of them) and songwriters who are not part of the act, studio engineers and a whole host of people who don't earn money from merchandise and touring -- people who no one would pay to make personal appearances.

I love the "but we're different!" argument, because it comes up in every industry. I was just in Hollywood, where I explained how musicians were actually making use of these models and someone got upset and said "but we're the movie industry, and we're different!" Earlier this year, I met with a publisher, who also was looking at these models, and again exclaimed that "but book publishing is different!" Everyone wants to believe they're different, but everyone faces the same basic economics. Also, I'd imagine that my friends in the publishing industry would be pretty upset with Lindvall's false claim that a book is not a team effort. You have publishers and editors and agents, all of whom often take on quite similar roles to producers and songwriters and engineers.



That said, the really ridiculous part of her complaint here is that the same people she complains don't earn money from merchandise or touring also don't earn money from record sale royalties for the most part. There are some exceptions, but most of them are paid a flat-fee for their work, and that doesn't change either way under the new models, so her complaint here doesn't make sense. If a content creator can make money giving away some works for free, they can still afford to pay the fees for those who help out. The entire argument that an engineer "doesn't tour" is specious. The engineer doesn't make money from CD sales either.



Finally. Lindvall must be the first person to describe Jaron Lanier as an optimist, since he came out with his incredibly pessimistic book about how the internet was destroying everything good and holy in the world.



33 Comments | Leave a Comment..






25 Responses to “What’s Driving the Art Market? Easy Money.”







  1. Michael M Thomas Says:



    November 12th, 2010 at 11:33 am

    In the first big art boom, back in the late ’80s-90s, some one observed, “It isn’t that the art isn’t worth the m oney, it’s that the money isn’t worth the money.” – MM Thoomas








  2. Friday screencast: artflation Abnormal Returns Says:



    November 12th, 2010 at 1:36 pm

    Easy money and the red hot art market.  (Big Picture)








  3. Mike in Nola Says:



    November 12th, 2010 at 2:27 pm

    When I saw the Lichtenstein story on the BBC yesterday, was going to send BR a note that he might use as the start of a blog post.


    The point of my note was that such big prices tend to mark tops in stocks because it’s a sign of overconfidence combined with spending paper profits. The example that first came to mind yesterday was the Japanese investor who bought one of Van Gogh’s Sunflowers for $80M – in 1990 just after the Japanese market peak.

    http://www.highbeam.com/doc/1P2-1126944.html


    Of course there are other indicators. Remember reading about one of the well known players in the very early 1900′s who, when he saw $10k bet on the turn of a card, went out and correctly sold everything.


    An illustration of what some art investments are worth in hard times is that some segments of the art market were down 75% during the depths of the crash. The only reason art is booming again is because Ben B has repumped the liquidity bubble, allowing the banksters to make plenty instead of having their sorry asses thrown out on the street as they deserved.








  4. grlampton Says:



    November 12th, 2010 at 2:37 pm

    A lot of what this post says about the art market can also be said about the rare coin market. Granted, rare coins are not unique in the same way a single piece of artwork is (though some are close to unique).


    Although I do not know what the long-term appreciation figures are for artwork, classic American rare coins have outperformed the S&P over the lon g haul, and, in my view, thwey are a lot more fun.








  5. gms777 Says:



    November 12th, 2010 at 3:39 pm

    And for the 99.99 percent of us who don’t have millions to throw at art, when you buy art, buy it because you like it and think you will continue to enjoy looking at it in your house for years.


    Something like 95+% of all art never appreciates in value or if it does, it does so below the rate of inflation.








  6. obsvr-1 Says:



    November 12th, 2010 at 4:30 pm

    seems this is just the .1%-ers keeping up with the Rockerfellers


    Perhaps the FED should be buying up rare art during distressed markets — then sell to the Fraudsters and elitist when they have nothing better to do with their money but buy high priced art; then recycle the profits back to the taxpayer (reduce nat debt) — or substitute SSA for the FED to bolster the Trust Fund for self sufficiency.








  7. ToNYC Says:



    November 12th, 2010 at 5:07 pm

    If you’re very rich, you can ship your art to Switzerland, London or Singapore to be stored in a state-of-the-art facility and not have to worry about the Feds tracking it as funds.


    Believe it or not, that’s where the majority of art ends up these days, sitting in storage waiting for the right time and place to be shown or sold.


    great point you make:

    rich or just smart…keeping all invested in Intellectual Property keeps you free. Hard assets are more like anchors and chains and locks and guns.








  8. Long term Says:



    November 12th, 2010 at 5:12 pm

    The problem I see with art, as an investment or even as a store of value, is that BOTH the insurance AND storage costs of pieces in the $10M+ range are significant. And reoccuring. And a drag on ROI unless a large mark-up is achieved.








  9. Mannwich Says:



    November 12th, 2010 at 5:27 pm

    Then there’s this. Sure doesn’t sound worth it to me.


    http://www.nytimes.com/2010/11/14/realestate/14cov.html








  10. philipat Says:



    November 12th, 2010 at 6:44 pm

    I’d also recommend fine wine for similar reasons. Also more liquid (Double entendre intended!)








  11. pintelho Says:



    November 12th, 2010 at 7:33 pm

    Now this is an excellent educational piece…thank you Marion








  12. Long term Says:



    November 12th, 2010 at 9:06 pm

    i consider this very interesting from the perspective of how chinese billionaires will benefit high-end american exports.








  13. VennData Says:



    November 12th, 2010 at 11:13 pm

    What’s good for Damien Hirst is good for the global economy — Charles Wilson








  14. YourPortlandFinancialAdvisor Says:



    November 12th, 2010 at 11:30 pm

    “Blue-chip art is no different from gold.”

    It’s actually a lot different. People collect art to feel good about themselves, to feel intellectual, worldly, ect. Watch “Gone With the Wind”, Tara, the plantation is filled with paintings from Europe because that was the equivilant of the time. Plus anyone who fancies themselves a contemporary art collector must have and be judged by works of certain artists. Warhol would be one. No Warhol, no collection.








  15. Julia Chestnut Says:



    November 13th, 2010 at 5:52 am

    The distinction here is between art as a store of value and art as an investment that is expected to create appreciation. The big jump in the value of a piece of art occurs when the artist dies, and thus the supply ends. People who build a fortune in art do so by having good taste and developing a relationship with the people who create (and/or sell) the kind of art that they love. It is about enjoyment and communication – about beauty and provocation. I have found in my limited experience that people who see art as an investment don’t pick the right artists: someone has to do their choosing for them.


    But the pieces that we’re talking about in this article are investment grade – blue chips, as you said. Those are a store of value, alright. But as someone noted, the price of keeping something like that is extremely high. There are some pieces of such extreme value to certain unscrupulous people that you don’t insure them if you own them – because you are afraid that the appraiser or the insurance company might tip someone off about where the piece is. I wish I were being alarmist. Often these pieces are kept in professional storage in vaults because you don’t want to keep it where your family lives for these reasons. As old Priam found out long ago, possessing a thing of legendary beauty invites certain problems, especially if you are using it as a store of wealth.








  16. contrabandista13 Says:



    November 13th, 2010 at 8:25 am

    And just to think, I bought a “Melvin Cruddy” last week for $2.77 at Resales for the Retarded.


    It kinda looks like a Modigliani of Bugs Bunny and Daffy having breakfast at a Milwaukee coffee shop.








  17. BuffaloBill Says:



    November 13th, 2010 at 8:35 am

    A.) If bought at auction, there are also buyer’s and seller’s commissions. You’ll need to add these into your investment computations. These commissions are not insignificant.


    B.) If bought at auction, the hammer price (plus commission) is the single highest worldwide valuation for that piece.


    C.) To quote the late Lawrence Fleischman who headed Kennedy Galleries in NYC for many years. “Art makes a lousy investment for almost all buyers except for dealers as we work hard to maintain a rolodex of likely customers. ”


    D.) To quote the late Horace Solomon of Holly Solomon Galleries, “The painting hanging behind me is worth $125,000 – mostly because I say so.”








  18. contrabandista13 Says:



    November 13th, 2010 at 8:41 am

    The BIG MONEY plays in the art market are all about vanity… Oh….! Such refined and subtle sophistication…


    Having said that, It’s worth remembering that a trophy such as a Pollock or a real Modigliani, never grows old, never makes you carry it’s purse and will always comfort you in sickness and in heath….








  19. Greg0658 Says:



    November 13th, 2010 at 9:13 am

    interesting thread .. I’ll add my pov (thats point of view) not (privately owned vehicle :-) … while waiting for the pumpkin pie to bake


    I collect art – not blue chip art (I can’t) .. music 1st books 2nd clocks 3rd (why I started that with the dang time change twice a year) .. add general stuff to cover the walls, shelves and corners .. why I started that or continue that operation (as we slip back into a hunter gatherer society) (produced in mass production) I don’t know … I guess I’m a well trained consumerist .. worked all my life to turn green TP into stuff – because what good is scratchy green TP .. so coming up on the Thanksgiving season I’ll just ask for your thanks .. so thank you in advance … ie thanks for working to build stuff and then turn excess wages into stuff so people who can’t turn stuff into stuff can flip it for a living


    ps – the other pov – wish I could earn enough to have one of those fancies I loved to take pictures of – but then again – I might hit a deer with it or get it k@/@d








  20. ToNYC Says:



    November 13th, 2010 at 9:30 am

    Art as investment works for the smart players who realize that over time their judgment of the intellectual perspective which is IP, and what it is that the artist presents will be a Call on an increasing statement of value over time (and transferred stored savings). The ones that see the artist’s vision and help bring that awareness public do the very best and are the lifeblood of our culture as well.








  21. Saturday links: cleaner coal Abnormal Returns Says:



    November 13th, 2010 at 10:08 am

    What is driving the art market?  Easy money.*  (Big Picture)








  22. philipat Says:



    November 13th, 2010 at 11:31 am

    VennData Says:


    “What’s good for Damien Hirst is good for the global economy — Charles Wilson”


    IMHO, the new Warhol? And I mean that not kindly. Both take advantage of art as culture as fashion as Ladt Gaga to make money. No problem with that, and good luck to them. But is it art?








  23. Howard Lindzon » Blog Archive » Printing Money…I Mean Quantitative Easing Says:



    November 14th, 2010 at 2:07 am

    Today I am thinking about my Sotheby’s $BID indicator. I wrote about it a lot up until 2008 and have just forgotten about it until this fantastic post about the art market.








  24. Record Art Prices… Are the Rich Worried? Says:



    November 14th, 2010 at 3:34 pm

    Today I am thinking about my Sotheby’s $BID indicator. I wrote about it a lot up until 2008 and have just forgotten about it until this fantastic post about the art market.








  25. Abnormal Returns on Art Says:



    November 15th, 2010 at 1:02 am

    To read the post mentioned in the video, click here: What’s Driving the Art Market? Easy Money.












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Embracing New Opportunities Is Being Defeatist?

from the please-explain dept

A few months back a columnist for the Guardian, Helienne Lindvall wrote a laughably confused argument claiming that people who explained how "free" was an important element of a business model should not be trusted because they also made money. That made no sense, and lots of people explained why. She also got an awful lot of the basic facts wrong.



Lindvall is back, and rather than admitting her mistakes, she tries again, but comes across as even more confused and factually-challenged. The majority of the piece is about setting up more strawmen to knock over, with the two key ones being (1) that supporters of embracing new business models are "defeatist" because they suggest that file sharing cannot be stopped and (2) that while record labels may have ripped off musicians in the past, the companies ripping off musicians today are the "web 2.0" companies that are making money on content -- such as Google, Flickr and others.



Neither argument makes much sense when held up to any scrutiny. Lindvall seems to make the same mistake she made in her first piece (for which, I do not believe she has yet apologized). She takes a tiny part of an argument that someone has made, and pretends it's the entire argument. Just like she claimed that those who embrace free as a part of their business model are somehow being hypocritical in making money elsewhere, she now claims that people's entire argument is based on a tiny sliver of their argument, and ignores the important part.



The problem with her first strawman is that people aren't saying be "defeatist," and just accept that file sharing is file sharing and give up. They're saying that if file sharing isn't going away, and (here's the part she misses) you can use that to your advantage to make more money, why bother worrying about file sharing as being some sort of evil? The second strawman is a bit more nefarious, but goes back to the fallacy that web 2.0 sites are some sort of digital sharecropping, with the users "giving up everything," and the content creators getting nothing. That, of course, is hogwash. The reason people use these services is that they get something in return. What people like Lindvall forget or ignore is that in the days before YouTube, if you wanted to post your own video, you had to (a) buy expensive media serving software from the likes of Real Networks (b) install the crappy software and maintain it (c) host the files yourself, costing you server space (d) stream or download the files yourself, costing bandwidth. Then YouTube came along and made all of that both easy and free -- and you still want to complain that they're ripping you off? Seriously?



Fine: let's make a deal. For any project that Helienne Lindvall is involved in, she cannot make use of these tools which offer free services. Instead, she must set up the technology on her own server, and host and pay for all of it herself. Otherwise, she's just supporting the digital sharecroppers, right?



There are a few other whoppers in the article as well, such as this one:


Doctorow pointed out that numerous authors give away their work, while earning good money on the lecture circuit. I don't doubt that this model works for some authors, but there are fundamental differences between books and music.



Producing a record -- as opposed to writing most books -- tends to be a team effort involving a producer (sometimes several of them) and songwriters who are not part of the act, studio engineers and a whole host of people who don't earn money from merchandise and touring -- people who no one would pay to make personal appearances.

I love the "but we're different!" argument, because it comes up in every industry. I was just in Hollywood, where I explained how musicians were actually making use of these models and someone got upset and said "but we're the movie industry, and we're different!" Earlier this year, I met with a publisher, who also was looking at these models, and again exclaimed that "but book publishing is different!" Everyone wants to believe they're different, but everyone faces the same basic economics. Also, I'd imagine that my friends in the publishing industry would be pretty upset with Lindvall's false claim that a book is not a team effort. You have publishers and editors and agents, all of whom often take on quite similar roles to producers and songwriters and engineers.



That said, the really ridiculous part of her complaint here is that the same people she complains don't earn money from merchandise or touring also don't earn money from record sale royalties for the most part. There are some exceptions, but most of them are paid a flat-fee for their work, and that doesn't change either way under the new models, so her complaint here doesn't make sense. If a content creator can make money giving away some works for free, they can still afford to pay the fees for those who help out. The entire argument that an engineer "doesn't tour" is specious. The engineer doesn't make money from CD sales either.



Finally. Lindvall must be the first person to describe Jaron Lanier as an optimist, since he came out with his incredibly pessimistic book about how the internet was destroying everything good and holy in the world.



33 Comments | Leave a Comment..






25 Responses to “What’s Driving the Art Market? Easy Money.”







  1. Michael M Thomas Says:



    November 12th, 2010 at 11:33 am

    In the first big art boom, back in the late ’80s-90s, some one observed, “It isn’t that the art isn’t worth the m oney, it’s that the money isn’t worth the money.” – MM Thoomas








  2. Friday screencast: artflation Abnormal Returns Says:



    November 12th, 2010 at 1:36 pm

    Easy money and the red hot art market.  (Big Picture)








  3. Mike in Nola Says:



    November 12th, 2010 at 2:27 pm

    When I saw the Lichtenstein story on the BBC yesterday, was going to send BR a note that he might use as the start of a blog post.


    The point of my note was that such big prices tend to mark tops in stocks because it’s a sign of overconfidence combined with spending paper profits. The example that first came to mind yesterday was the Japanese investor who bought one of Van Gogh’s Sunflowers for $80M – in 1990 just after the Japanese market peak.

    http://www.highbeam.com/doc/1P2-1126944.html


    Of course there are other indicators. Remember reading about one of the well known players in the very early 1900′s who, when he saw $10k bet on the turn of a card, went out and correctly sold everything.


    An illustration of what some art investments are worth in hard times is that some segments of the art market were down 75% during the depths of the crash. The only reason art is booming again is because Ben B has repumped the liquidity bubble, allowing the banksters to make plenty instead of having their sorry asses thrown out on the street as they deserved.








  4. grlampton Says:



    November 12th, 2010 at 2:37 pm

    A lot of what this post says about the art market can also be said about the rare coin market. Granted, rare coins are not unique in the same way a single piece of artwork is (though some are close to unique).


    Although I do not know what the long-term appreciation figures are for artwork, classic American rare coins have outperformed the S&P over the lon g haul, and, in my view, thwey are a lot more fun.








  5. gms777 Says:



    November 12th, 2010 at 3:39 pm

    And for the 99.99 percent of us who don’t have millions to throw at art, when you buy art, buy it because you like it and think you will continue to enjoy looking at it in your house for years.


    Something like 95+% of all art never appreciates in value or if it does, it does so below the rate of inflation.








  6. obsvr-1 Says:



    November 12th, 2010 at 4:30 pm

    seems this is just the .1%-ers keeping up with the Rockerfellers


    Perhaps the FED should be buying up rare art during distressed markets — then sell to the Fraudsters and elitist when they have nothing better to do with their money but buy high priced art; then recycle the profits back to the taxpayer (reduce nat debt) — or substitute SSA for the FED to bolster the Trust Fund for self sufficiency.








  7. ToNYC Says:



    November 12th, 2010 at 5:07 pm

    If you’re very rich, you can ship your art to Switzerland, London or Singapore to be stored in a state-of-the-art facility and not have to worry about the Feds tracking it as funds.


    Believe it or not, that’s where the majority of art ends up these days, sitting in storage waiting for the right time and place to be shown or sold.


    great point you make:

    rich or just smart…keeping all invested in Intellectual Property keeps you free. Hard assets are more like anchors and chains and locks and guns.








  8. Long term Says:



    November 12th, 2010 at 5:12 pm

    The problem I see with art, as an investment or even as a store of value, is that BOTH the insurance AND storage costs of pieces in the $10M+ range are significant. And reoccuring. And a drag on ROI unless a large mark-up is achieved.








  9. Mannwich Says:



    November 12th, 2010 at 5:27 pm

    Then there’s this. Sure doesn’t sound worth it to me.


    http://www.nytimes.com/2010/11/14/realestate/14cov.html








  10. philipat Says:



    November 12th, 2010 at 6:44 pm

    I’d also recommend fine wine for similar reasons. Also more liquid (Double entendre intended!)








  11. pintelho Says:



    November 12th, 2010 at 7:33 pm

    Now this is an excellent educational piece…thank you Marion








  12. Long term Says:



    November 12th, 2010 at 9:06 pm

    i consider this very interesting from the perspective of how chinese billionaires will benefit high-end american exports.








  13. VennData Says:



    November 12th, 2010 at 11:13 pm

    What’s good for Damien Hirst is good for the global economy — Charles Wilson








  14. YourPortlandFinancialAdvisor Says:



    November 12th, 2010 at 11:30 pm

    “Blue-chip art is no different from gold.”

    It’s actually a lot different. People collect art to feel good about themselves, to feel intellectual, worldly, ect. Watch “Gone With the Wind”, Tara, the plantation is filled with paintings from Europe because that was the equivilant of the time. Plus anyone who fancies themselves a contemporary art collector must have and be judged by works of certain artists. Warhol would be one. No Warhol, no collection.








  15. Julia Chestnut Says:



    November 13th, 2010 at 5:52 am

    The distinction here is between art as a store of value and art as an investment that is expected to create appreciation. The big jump in the value of a piece of art occurs when the artist dies, and thus the supply ends. People who build a fortune in art do so by having good taste and developing a relationship with the people who create (and/or sell) the kind of art that they love. It is about enjoyment and communication – about beauty and provocation. I have found in my limited experience that people who see art as an investment don’t pick the right artists: someone has to do their choosing for them.


    But the pieces that we’re talking about in this article are investment grade – blue chips, as you said. Those are a store of value, alright. But as someone noted, the price of keeping something like that is extremely high. There are some pieces of such extreme value to certain unscrupulous people that you don’t insure them if you own them – because you are afraid that the appraiser or the insurance company might tip someone off about where the piece is. I wish I were being alarmist. Often these pieces are kept in professional storage in vaults because you don’t want to keep it where your family lives for these reasons. As old Priam found out long ago, possessing a thing of legendary beauty invites certain problems, especially if you are using it as a store of wealth.








  16. contrabandista13 Says:



    November 13th, 2010 at 8:25 am

    And just to think, I bought a “Melvin Cruddy” last week for $2.77 at Resales for the Retarded.


    It kinda looks like a Modigliani of Bugs Bunny and Daffy having breakfast at a Milwaukee coffee shop.








  17. BuffaloBill Says:



    November 13th, 2010 at 8:35 am

    A.) If bought at auction, there are also buyer’s and seller’s commissions. You’ll need to add these into your investment computations. These commissions are not insignificant.


    B.) If bought at auction, the hammer price (plus commission) is the single highest worldwide valuation for that piece.


    C.) To quote the late Lawrence Fleischman who headed Kennedy Galleries in NYC for many years. “Art makes a lousy investment for almost all buyers except for dealers as we work hard to maintain a rolodex of likely customers. ”


    D.) To quote the late Horace Solomon of Holly Solomon Galleries, “The painting hanging behind me is worth $125,000 – mostly because I say so.”








  18. contrabandista13 Says:



    November 13th, 2010 at 8:41 am

    The BIG MONEY plays in the art market are all about vanity… Oh….! Such refined and subtle sophistication…


    Having said that, It’s worth remembering that a trophy such as a Pollock or a real Modigliani, never grows old, never makes you carry it’s purse and will always comfort you in sickness and in heath….








  19. Greg0658 Says:



    November 13th, 2010 at 9:13 am

    interesting thread .. I’ll add my pov (thats point of view) not (privately owned vehicle :-) … while waiting for the pumpkin pie to bake


    I collect art – not blue chip art (I can’t) .. music 1st books 2nd clocks 3rd (why I started that with the dang time change twice a year) .. add general stuff to cover the walls, shelves and corners .. why I started that or continue that operation (as we slip back into a hunter gatherer society) (produced in mass production) I don’t know … I guess I’m a well trained consumerist .. worked all my life to turn green TP into stuff – because what good is scratchy green TP .. so coming up on the Thanksgiving season I’ll just ask for your thanks .. so thank you in advance … ie thanks for working to build stuff and then turn excess wages into stuff so people who can’t turn stuff into stuff can flip it for a living


    ps – the other pov – wish I could earn enough to have one of those fancies I loved to take pictures of – but then again – I might hit a deer with it or get it k@/@d








  20. ToNYC Says:



    November 13th, 2010 at 9:30 am

    Art as investment works for the smart players who realize that over time their judgment of the intellectual perspective which is IP, and what it is that the artist presents will be a Call on an increasing statement of value over time (and transferred stored savings). The ones that see the artist’s vision and help bring that awareness public do the very best and are the lifeblood of our culture as well.








  21. Saturday links: cleaner coal Abnormal Returns Says:



    November 13th, 2010 at 10:08 am

    What is driving the art market?  Easy money.*  (Big Picture)








  22. philipat Says:



    November 13th, 2010 at 11:31 am

    VennData Says:


    “What’s good for Damien Hirst is good for the global economy — Charles Wilson”


    IMHO, the new Warhol? And I mean that not kindly. Both take advantage of art as culture as fashion as Ladt Gaga to make money. No problem with that, and good luck to them. But is it art?








  23. Howard Lindzon » Blog Archive » Printing Money…I Mean Quantitative Easing Says:



    November 14th, 2010 at 2:07 am

    Today I am thinking about my Sotheby’s $BID indicator. I wrote about it a lot up until 2008 and have just forgotten about it until this fantastic post about the art market.








  24. Record Art Prices… Are the Rich Worried? Says:



    November 14th, 2010 at 3:34 pm

    Today I am thinking about my Sotheby’s $BID indicator. I wrote about it a lot up until 2008 and have just forgotten about it until this fantastic post about the art market.








  25. Abnormal Returns on Art Says:



    November 15th, 2010 at 1:02 am

    To read the post mentioned in the video, click here: What’s Driving the Art Market? Easy Money.












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You must be logged in to post a comment.





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Embracing New Opportunities Is Being Defeatist?

from the please-explain dept

A few months back a columnist for the Guardian, Helienne Lindvall wrote a laughably confused argument claiming that people who explained how "free" was an important element of a business model should not be trusted because they also made money. That made no sense, and lots of people explained why. She also got an awful lot of the basic facts wrong.



Lindvall is back, and rather than admitting her mistakes, she tries again, but comes across as even more confused and factually-challenged. The majority of the piece is about setting up more strawmen to knock over, with the two key ones being (1) that supporters of embracing new business models are "defeatist" because they suggest that file sharing cannot be stopped and (2) that while record labels may have ripped off musicians in the past, the companies ripping off musicians today are the "web 2.0" companies that are making money on content -- such as Google, Flickr and others.



Neither argument makes much sense when held up to any scrutiny. Lindvall seems to make the same mistake she made in her first piece (for which, I do not believe she has yet apologized). She takes a tiny part of an argument that someone has made, and pretends it's the entire argument. Just like she claimed that those who embrace free as a part of their business model are somehow being hypocritical in making money elsewhere, she now claims that people's entire argument is based on a tiny sliver of their argument, and ignores the important part.



The problem with her first strawman is that people aren't saying be "defeatist," and just accept that file sharing is file sharing and give up. They're saying that if file sharing isn't going away, and (here's the part she misses) you can use that to your advantage to make more money, why bother worrying about file sharing as being some sort of evil? The second strawman is a bit more nefarious, but goes back to the fallacy that web 2.0 sites are some sort of digital sharecropping, with the users "giving up everything," and the content creators getting nothing. That, of course, is hogwash. The reason people use these services is that they get something in return. What people like Lindvall forget or ignore is that in the days before YouTube, if you wanted to post your own video, you had to (a) buy expensive media serving software from the likes of Real Networks (b) install the crappy software and maintain it (c) host the files yourself, costing you server space (d) stream or download the files yourself, costing bandwidth. Then YouTube came along and made all of that both easy and free -- and you still want to complain that they're ripping you off? Seriously?



Fine: let's make a deal. For any project that Helienne Lindvall is involved in, she cannot make use of these tools which offer free services. Instead, she must set up the technology on her own server, and host and pay for all of it herself. Otherwise, she's just supporting the digital sharecroppers, right?



There are a few other whoppers in the article as well, such as this one:


Doctorow pointed out that numerous authors give away their work, while earning good money on the lecture circuit. I don't doubt that this model works for some authors, but there are fundamental differences between books and music.



Producing a record -- as opposed to writing most books -- tends to be a team effort involving a producer (sometimes several of them) and songwriters who are not part of the act, studio engineers and a whole host of people who don't earn money from merchandise and touring -- people who no one would pay to make personal appearances.

I love the "but we're different!" argument, because it comes up in every industry. I was just in Hollywood, where I explained how musicians were actually making use of these models and someone got upset and said "but we're the movie industry, and we're different!" Earlier this year, I met with a publisher, who also was looking at these models, and again exclaimed that "but book publishing is different!" Everyone wants to believe they're different, but everyone faces the same basic economics. Also, I'd imagine that my friends in the publishing industry would be pretty upset with Lindvall's false claim that a book is not a team effort. You have publishers and editors and agents, all of whom often take on quite similar roles to producers and songwriters and engineers.



That said, the really ridiculous part of her complaint here is that the same people she complains don't earn money from merchandise or touring also don't earn money from record sale royalties for the most part. There are some exceptions, but most of them are paid a flat-fee for their work, and that doesn't change either way under the new models, so her complaint here doesn't make sense. If a content creator can make money giving away some works for free, they can still afford to pay the fees for those who help out. The entire argument that an engineer "doesn't tour" is specious. The engineer doesn't make money from CD sales either.



Finally. Lindvall must be the first person to describe Jaron Lanier as an optimist, since he came out with his incredibly pessimistic book about how the internet was destroying everything good and holy in the world.



33 Comments | Leave a Comment..






25 Responses to “What’s Driving the Art Market? Easy Money.”







  1. Michael M Thomas Says:



    November 12th, 2010 at 11:33 am

    In the first big art boom, back in the late ’80s-90s, some one observed, “It isn’t that the art isn’t worth the m oney, it’s that the money isn’t worth the money.” – MM Thoomas








  2. Friday screencast: artflation Abnormal Returns Says:



    November 12th, 2010 at 1:36 pm

    Easy money and the red hot art market.  (Big Picture)








  3. Mike in Nola Says:



    November 12th, 2010 at 2:27 pm

    When I saw the Lichtenstein story on the BBC yesterday, was going to send BR a note that he might use as the start of a blog post.


    The point of my note was that such big prices tend to mark tops in stocks because it’s a sign of overconfidence combined with spending paper profits. The example that first came to mind yesterday was the Japanese investor who bought one of Van Gogh’s Sunflowers for $80M – in 1990 just after the Japanese market peak.

    http://www.highbeam.com/doc/1P2-1126944.html


    Of course there are other indicators. Remember reading about one of the well known players in the very early 1900′s who, when he saw $10k bet on the turn of a card, went out and correctly sold everything.


    An illustration of what some art investments are worth in hard times is that some segments of the art market were down 75% during the depths of the crash. The only reason art is booming again is because Ben B has repumped the liquidity bubble, allowing the banksters to make plenty instead of having their sorry asses thrown out on the street as they deserved.








  4. grlampton Says:



    November 12th, 2010 at 2:37 pm

    A lot of what this post says about the art market can also be said about the rare coin market. Granted, rare coins are not unique in the same way a single piece of artwork is (though some are close to unique).


    Although I do not know what the long-term appreciation figures are for artwork, classic American rare coins have outperformed the S&P over the lon g haul, and, in my view, thwey are a lot more fun.








  5. gms777 Says:



    November 12th, 2010 at 3:39 pm

    And for the 99.99 percent of us who don’t have millions to throw at art, when you buy art, buy it because you like it and think you will continue to enjoy looking at it in your house for years.


    Something like 95+% of all art never appreciates in value or if it does, it does so below the rate of inflation.








  6. obsvr-1 Says:



    November 12th, 2010 at 4:30 pm

    seems this is just the .1%-ers keeping up with the Rockerfellers


    Perhaps the FED should be buying up rare art during distressed markets — then sell to the Fraudsters and elitist when they have nothing better to do with their money but buy high priced art; then recycle the profits back to the taxpayer (reduce nat debt) — or substitute SSA for the FED to bolster the Trust Fund for self sufficiency.








  7. ToNYC Says:



    November 12th, 2010 at 5:07 pm

    If you’re very rich, you can ship your art to Switzerland, London or Singapore to be stored in a state-of-the-art facility and not have to worry about the Feds tracking it as funds.


    Believe it or not, that’s where the majority of art ends up these days, sitting in storage waiting for the right time and place to be shown or sold.


    great point you make:

    rich or just smart…keeping all invested in Intellectual Property keeps you free. Hard assets are more like anchors and chains and locks and guns.








  8. Long term Says:



    November 12th, 2010 at 5:12 pm

    The problem I see with art, as an investment or even as a store of value, is that BOTH the insurance AND storage costs of pieces in the $10M+ range are significant. And reoccuring. And a drag on ROI unless a large mark-up is achieved.








  9. Mannwich Says:



    November 12th, 2010 at 5:27 pm

    Then there’s this. Sure doesn’t sound worth it to me.


    http://www.nytimes.com/2010/11/14/realestate/14cov.html








  10. philipat Says:



    November 12th, 2010 at 6:44 pm

    I’d also recommend fine wine for similar reasons. Also more liquid (Double entendre intended!)








  11. pintelho Says:



    November 12th, 2010 at 7:33 pm

    Now this is an excellent educational piece…thank you Marion








  12. Long term Says:



    November 12th, 2010 at 9:06 pm

    i consider this very interesting from the perspective of how chinese billionaires will benefit high-end american exports.








  13. VennData Says:



    November 12th, 2010 at 11:13 pm

    What’s good for Damien Hirst is good for the global economy — Charles Wilson








  14. YourPortlandFinancialAdvisor Says:



    November 12th, 2010 at 11:30 pm

    “Blue-chip art is no different from gold.”

    It’s actually a lot different. People collect art to feel good about themselves, to feel intellectual, worldly, ect. Watch “Gone With the Wind”, Tara, the plantation is filled with paintings from Europe because that was the equivilant of the time. Plus anyone who fancies themselves a contemporary art collector must have and be judged by works of certain artists. Warhol would be one. No Warhol, no collection.








  15. Julia Chestnut Says:



    November 13th, 2010 at 5:52 am

    The distinction here is between art as a store of value and art as an investment that is expected to create appreciation. The big jump in the value of a piece of art occurs when the artist dies, and thus the supply ends. People who build a fortune in art do so by having good taste and developing a relationship with the people who create (and/or sell) the kind of art that they love. It is about enjoyment and communication – about beauty and provocation. I have found in my limited experience that people who see art as an investment don’t pick the right artists: someone has to do their choosing for them.


    But the pieces that we’re talking about in this article are investment grade – blue chips, as you said. Those are a store of value, alright. But as someone noted, the price of keeping something like that is extremely high. There are some pieces of such extreme value to certain unscrupulous people that you don’t insure them if you own them – because you are afraid that the appraiser or the insurance company might tip someone off about where the piece is. I wish I were being alarmist. Often these pieces are kept in professional storage in vaults because you don’t want to keep it where your family lives for these reasons. As old Priam found out long ago, possessing a thing of legendary beauty invites certain problems, especially if you are using it as a store of wealth.








  16. contrabandista13 Says:



    November 13th, 2010 at 8:25 am

    And just to think, I bought a “Melvin Cruddy” last week for $2.77 at Resales for the Retarded.


    It kinda looks like a Modigliani of Bugs Bunny and Daffy having breakfast at a Milwaukee coffee shop.








  17. BuffaloBill Says:



    November 13th, 2010 at 8:35 am

    A.) If bought at auction, there are also buyer’s and seller’s commissions. You’ll need to add these into your investment computations. These commissions are not insignificant.


    B.) If bought at auction, the hammer price (plus commission) is the single highest worldwide valuation for that piece.


    C.) To quote the late Lawrence Fleischman who headed Kennedy Galleries in NYC for many years. “Art makes a lousy investment for almost all buyers except for dealers as we work hard to maintain a rolodex of likely customers. ”


    D.) To quote the late Horace Solomon of Holly Solomon Galleries, “The painting hanging behind me is worth $125,000 – mostly because I say so.”








  18. contrabandista13 Says:



    November 13th, 2010 at 8:41 am

    The BIG MONEY plays in the art market are all about vanity… Oh….! Such refined and subtle sophistication…


    Having said that, It’s worth remembering that a trophy such as a Pollock or a real Modigliani, never grows old, never makes you carry it’s purse and will always comfort you in sickness and in heath….








  19. Greg0658 Says:



    November 13th, 2010 at 9:13 am

    interesting thread .. I’ll add my pov (thats point of view) not (privately owned vehicle :-) … while waiting for the pumpkin pie to bake


    I collect art – not blue chip art (I can’t) .. music 1st books 2nd clocks 3rd (why I started that with the dang time change twice a year) .. add general stuff to cover the walls, shelves and corners .. why I started that or continue that operation (as we slip back into a hunter gatherer society) (produced in mass production) I don’t know … I guess I’m a well trained consumerist .. worked all my life to turn green TP into stuff – because what good is scratchy green TP .. so coming up on the Thanksgiving season I’ll just ask for your thanks .. so thank you in advance … ie thanks for working to build stuff and then turn excess wages into stuff so people who can’t turn stuff into stuff can flip it for a living


    ps – the other pov – wish I could earn enough to have one of those fancies I loved to take pictures of – but then again – I might hit a deer with it or get it k@/@d








  20. ToNYC Says:



    November 13th, 2010 at 9:30 am

    Art as investment works for the smart players who realize that over time their judgment of the intellectual perspective which is IP, and what it is that the artist presents will be a Call on an increasing statement of value over time (and transferred stored savings). The ones that see the artist’s vision and help bring that awareness public do the very best and are the lifeblood of our culture as well.








  21. Saturday links: cleaner coal Abnormal Returns Says:



    November 13th, 2010 at 10:08 am

    What is driving the art market?  Easy money.*  (Big Picture)








  22. philipat Says:



    November 13th, 2010 at 11:31 am

    VennData Says:


    “What’s good for Damien Hirst is good for the global economy — Charles Wilson”


    IMHO, the new Warhol? And I mean that not kindly. Both take advantage of art as culture as fashion as Ladt Gaga to make money. No problem with that, and good luck to them. But is it art?








  23. Howard Lindzon » Blog Archive » Printing Money…I Mean Quantitative Easing Says:



    November 14th, 2010 at 2:07 am

    Today I am thinking about my Sotheby’s $BID indicator. I wrote about it a lot up until 2008 and have just forgotten about it until this fantastic post about the art market.








  24. Record Art Prices… Are the Rich Worried? Says:



    November 14th, 2010 at 3:34 pm

    Today I am thinking about my Sotheby’s $BID indicator. I wrote about it a lot up until 2008 and have just forgotten about it until this fantastic post about the art market.








  25. Abnormal Returns on Art Says:



    November 15th, 2010 at 1:02 am

    To read the post mentioned in the video, click here: What’s Driving the Art Market? Easy Money.












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